. "\u00C0 l\u2019occasion du cinquantenaire de la disparition d\u2019Andr\u00E9 Malraux, Le MuMa souhaite rendre hommage \u00E0 l\u2019auteur de \"La Psychologie de l\u2019art\" et de \"La M\u00E9tamorphose des dieux\", dont la vision a contribu\u00E9 \u00E0 transformer notre approche de l\u2019art.\n\nD\u00E9couverts d\u00E8s l\u2019adolescence, les peintres impressionnistes \u2014 C\u00E9zanne, Degas, Manet, Monet, Pissarro ou Van Gogh \u2014 ont profond\u00E9ment marqu\u00E9 le jeune Malraux et nourri sa r\u00E9flexion sur l\u2019art moderne. Il met ensuite en regard leurs \u0153uvres avec celles de grands ma\u00EEtres europ\u00E9ens ou d\u2019Extr\u00EAme-Orient, illustrant ainsi sa conviction que \u00AB nous ne pouvons sentir que par comparaison \u00BB. \n\nAndr\u00E9 Malraux entretient aussi tout au long de sa vie, un dialogue f\u00E9cond avec le monde artistique de son \u00E9poque. L\u2019amiti\u00E9 avec le peintre et graveur D\u00E9m\u00E9trios Galanis est la premi\u00E8re de ces relations majeures.\n\nCette fraternit\u00E9 intellectuelle et artistique, fond\u00E9e sur une m\u00EAme exigence cr\u00E9atrice, se renouvelle avec d\u2019autres figures majeures telles qu\u2019Andr\u00E9 Masson, Jean Fautrier, Georges Rouault, Pablo Picasso et Georges Braque. En soutenant ces artistes contemporains, Malraux devient non seulement un t\u00E9moin engag\u00E9, mais un acteur d\u00E9cisif de la reconnaissance de l\u2019art moderne \u2014 \u00E0 la fois comme \u00E9crivain visionnaire et comme ministre de la Culture soucieux d\u2019enrichir le patrimoine commun.\n\nL\u2019exposition pr\u00E9sent\u00E9e au MuMa souhaite rendre hommage \u00E0 cette vision singuli\u00E8re : elle c\u00E9l\u00E8bre l\u2019esth\u00E9tique moderne ardemment d\u00E9fendue par Malraux, explore les amiti\u00E9s qui l\u2019ont nourrie, et rappelle son r\u00F4le essentiel dans la constitution du patrimoine artistique fran\u00E7ais."@fr . "To mark the fiftieth anniversary of Andr\u00E9 Malraux\u2019s death, MuMa pays tribute to the author of The Psychology of Art (La Psychologie de l\u2019art) and The Metamorphosis of the Gods (La M\u00E9tamorphose des dieux), whose vision helped transform our understanding of art.\n\nDiscovered during his teenage years, the Impressionist painters \u2014 C\u00E9zanne, Degas, Manet, Monet, Pissarro and Van Gogh \u2014 had a profound influence on the young Malraux and shaped his thinking on modern art. He later placed their works alongside those of great European and Far Eastern masters, illustrating his conviction that \u201Cwe can only perceive through comparison\u201D.\n\nThroughout his life, Andr\u00E9 Malraux also maintained a fruitful dialogue with the artistic world of his time. His friendship with the painter and engraver D\u00E9m\u00E9trios Galanis was the first of several significant relationships.\n\nThis intellectual and artistic kinship, founded on a shared commitment to creative excellence, was renewed through his connections with other major figures, including Andr\u00E9 Masson, Jean Fautrier, Georges Rouault, Pablo Picasso and Georges Braque. By supporting these contemporary artists, Malraux became not merely an engaged witness, but a decisive figure in securing recognition for modern art \u2014 both as a visionary writer and as Minister of Culture, committed to enriching the nation\u2019s shared artistic heritage.\n\nThe exhibition at MuMa pays tribute to this distinctive vision. It celebrates the modern aesthetic that Malraux championed so passionately, explores the friendships that helped shape his thinking, and highlights his essential role in building France\u2019s artistic heritage"@en . . .