@prefix schema: <http://schema.org/> .
@prefix data: <https://data.datatourisme.fr/> .
@prefix owl: <http://www.w3.org/2002/07/owl#> .
@prefix : <https://www.datatourisme.fr/ontology/core#> .
@prefix xsd: <http://www.w3.org/2001/XMLSchema#> .
@prefix meta: <https://www.datatourisme.fr/resource/metadata#> .
@prefix rdfs: <http://www.w3.org/2000/01/rdf-schema#> .
@prefix dc: <http://purl.org/dc/elements/1.1/> .

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  rdfs:comment "Désacraliser les lieux de concerts n’est pas une nouveauté, Franz Schubert au dix-neuvième siècle souhaitait exporter sa musique auprès d’un large public."@fr, "La desacralizzazione dei luoghi in cui si tengono i concerti non è una novità: già nel XIX secolo Franz Schubert desiderava far conoscere la sua musica a un vasto pubblico."@it, "Het ontmythologiseren van concertzalen is geen nieuw fenomeen; Franz Schubert wilde in de negentiende eeuw zijn muziek al aan een breed publiek laten horen."@nl, "Desacralizar los recintos de conciertos no es nada nuevo: ya en el siglo XIX, Franz Schubert deseaba llevar su música a un público más amplio."@es, "Taking the mystique out of concert venues is nothing new; Franz Schubert, in the nineteenth century, wanted to bring his music to a wider audience."@en, "Die Entheiligung von Konzertorten ist nichts Neues: Schon Franz Schubert wollte im 19. Jahrhundert seine Musik einem breiten Publikum zugänglich machen."@de ;
  rdfs:label "CONCERTS SAUVAGES #3"@fr ;
  dc:identifier "FMALAR048V50LJ1R" .